Art Consumption in Ghana by African Americans Research Paper

Art Consumption in Ghana by African Americans - Research Paper Example The exploration of patterns of consumption is one which can lead those associated with the art of Ghana to have more connections for the indigenous expressions. Consumption of Art of Ghana The African art that is in various regions of the world is known to associate directly with the identity of culture and social status. The consumption which occurs with the Ghana art is one which directly links to the identity of the African culture. The exploration of this is based on a creation of African art that creates a direct link to the roots of African – Americans. The circuits that are known to identify through the art from Ghana directly associates with the anthropology of the region. Those that have the art are directly linking to a space of African art that links to the roots of culture and society. This is furthered with the understanding that the African – American link to Ghana is directly associated with the perception of art that is a part of the heritage of those in the United States (Stoller, 2003). Not only is the consumption based on the anthropological links to social and cultural identity. ... The art form of culture that is associated with this attracts African – Americans that recognize the philosophies and functions that are a part of the cultural ideologies. The consumption then becomes linked to a variety of dimensions, including the philosophical, traditional, cultural, social and belief systems that are a part of the heritage and roots of all Africans. It is noted that the continuous growth of consumption of art from Ghana is attributed to the link to the heritage of the area (Adjaye 2003). Growing Interest in Artifacts The basis of consumption that is associated with the culture of Ghana is one which is continuing to grow with the philosophies of African – Americans that link to this. The African – American identity is continuing to grow toward recognizing the beliefs and philosophies through the artwork, combined with the ideologies of meaning of culture. As the culture is emerged and recognized among African – Americans are other ideol ogies which attract individuals to the artwork. Many believe that by consuming more of the work, knowledge of the heritage and history is available. This combines with the information which is readily available about the indigenous cultures and which links to African - American heritage. As these links continue to emerge into society, a stronger sense of consumption emerges as a recognized identity from African – Americans. It is expected that the knowledge will allow the links to history to continue to build the amount of consumption by African – Americans (Rovine, 2001). The growing consumption is not only identified with more knowledge about the heritage and traditions that African – Americans claim as their own. There is also an